I am the Doctor and this is my spoon!

IAmTheDoctorAndThisIsMySPOON

It’s an inescapable fact that when a new Doctor comes along people immediately compare him to the previous ones, and there’s always those who (in spite of doing the same with the previous incarnation) state that the new Dr is not as good as the previous one and the franchise is doomed.

When Peter Capaldi was announced as the replacement for Matt Smith, many “new who” fans cried out in outrage that an old(er) man was being given the job – after all where was the love interest going to be, and who were the teeny girls going to drool over. (OK – that’s an unfair comment as both male and female latecomers were objecting, but the arguments often referenced the age of Capaldi and the dyanmic changes that would bring about)

Personally I was both pleased and intrigued by his appointment – he’s a genuine whovian and hearkens back to the first heyday of who with Pertwee, Baker (Tom of course) and even Davidson with a respectful nod to Harkness and Troughton.

Three episodes in to the new Doctors tenure in the TARDIS and I’m still intrigued. This Doctor has a mystique about him, an uncertainty about both his identity and his motivations. There’s a battle going on inside his two hearts that is trying to determine his morality.

And you know what – it’s fantastic! (Ecclestone nod there)

The Doctor has gone back to being this mysterious traveller who sweeps in with the delicacy of a bull in a china shop and then sweeps out again leaving as many questions as answers.

Don’t get me wrong – I thought both Tennant and Smith were brilliant, and Tennant sits joint favourite for me with Tom Baker. But there was something about their versions of the Doctor that lacked that question mark. Doctor Who became a statement more than a question (for most of the time – there were some excellent occassions where the question mark was most definitely present!)

So back to Capaldi – we’ve had 3 very different episodes. We’ve had the “I’m in a new body and am rather addled by the change”, we’ve had the “Dalek moral soul-searching” and we’ve now had the “Tongue-in-cheek Romp” and that gives us a good feel for the direction of the new Doctor.

When I look at his performance there’s a darker edge, similar but edgier than Ecclestone. There’s also that sense of a timelord who is ageing so much slower than the rest of us – and he is not backwards in coming forwards with that, or anything for that matter.

One other thing that seems to be recurring is a real embracing of all the Doctors. We’ve seen mentions, character traits, and even images of past incarnations and this is a Doctor who is the sum of all his pasts – but at the same time strangely lessened by them. He’s in conflict with all his characters and as a result we are catching glimpses of them all – just peeking out through the almost tortured veneer that Capaldi is wearing.

It’s too early to say for definite – but I really do feel that this Doctor has the potential to be amongst the best of the best.

Oh, and SPOON!

WAKE UP & Speak, Brother

Wake Up and Speak, Brother

Since moving to Rugby, one of the (many) things that has struck me is just how there seems to be a huge hub of creativity in the town and the surrounding areas. There are artists, writers aplenty and an absolute orchestral overload of talented musicians, songwriters, singers and more. You can’t turn around without discovering more new music, or hearing a new song or few.

What’s even more surprising is the QUALITY of the material – we’re not talking about stuff you listen to, politely nod and then issue that “well, that was…nice” comment. I’m talking about genuinely great music. Lyrics that have depth and meaning. Singers who are passionate about the music and the art, not compromising to become “The Next <insert name here>”

And that leads me onto two connected, but very different, artists. The first one is a worship leader at our church and a genuinely great guy (no, I’m not creeping!) – Jonny Shepherd. I came across Jonnys music a few years ago, before we’d ever even contemplated moving to Rugby, through somewhere like the NoiseTrade website. I picked up a free copy of his “New Day” album and really liked what I heard, so signed up for the mailing list and kept a distant eye on the music he was producing.

When we started to look at Rugby as our new home I got one of his email newsletters through and, much to my utter disbelief, saw that he was not only based in Rugby but also at the very church we were looking into.

Jump forward to now and I’ve gotten to know Jonny a bit and we’ve started to build up a cracking friendship.

Well, that’s all “nice” but what about the music. Well, those on facebook will have seen me push his last EP (Crown of Praise) rather a bit, and that contained some really good music on there – including an instrumental piece that is so good to lean back with eyes closed and listen to. And he has a new EP coming out at the end of this month!

It’s a simple task to nip on over to bandcamp and pre-order the EP, for which you get the title track “Wake Up” as an immediate download and WOW – this is such a different track. Electronic beats and pumping bass coupled with some really strong lyrics. I’m a little biased as it is clearly influenced by Ezekiel and the valley of dry bones that is in the old testament – and that is one of my favourite passages!

Watch the teaser video for the EP below, and then pop to bandcamp and place a pre-order to make sure you get hold of, what promises to be, a great set of new songs!

[youtube]http://youtu.be/1jBZoFekXf8[/youtube]

And here’s the seamless segway across to the second part of this post. When I signed up to join the worship team at New Life, Jonny and I got together at Costa Coffee in Rugby so that we could get to know each other a bit more and in the process he introduced me to a band who were, at that time, called the “James Herring Band”. With hints of Jars of Clay, Mumford & Sons etc I was immediately hooked by their music. During the performance James announced that they were renaming the band and were relaunching as “Speak, Brother”

At a local “Worship Hub” event, I went along to a guitar workshop with James and got chatting to him about music, life and various other things and found him to be such a down to earth, humble guy who is passionate about God and about crafting music that is original and personal.

On May 19th the band launch their debut single, “Dry Bones” – hmmm, ring any bells?, and on the 18th their is a launch gig at a local pub which the Mrs and I will be attending. Keep an eye on their website, follow them on facebook, and take a look at the below video recorded at one of their performances. Then, on the 19th, pick up a copy of “Dry Bones” – it’ll get your feet stomping, your head bobbing and you’ll be singing the chorus for days!

[youtube]http://www.youtube.com/watch?v=hMNCGBXfEk0[/youtube]

Rock & Roll with extra cheese (and some rather spicy sauce!)

When it comes to music, films, TV etc (entertainment in general I guess) I’m a rather odd specimen of a man – enjoying an eclectic mix of styles, genres, eras and volumes! I can watch everything from sci-fi blasts to detective dramas, comedies to quizzes, debates to debacles. I listen to music from so many eras covering pop, rock, dance, jazz, classical, electronic, metal, worship, atmospheric and more. In fact the only music I can’t appreciate is manufactured plastic rubbish that you know doesn’t mean anything to the person singing it.

One era and style I do particularly love is 80s Rock. I grew up listening to Bon Jovi, Whitesnake, Meatloaf and more and still love ramping up the volume to scream out the lyrics to some of the classic anthems from that time.

So when we saw an interview with Justin Lee Collins and Shane Ward on BBC breakfast talking about the West End musical “Rock of Ages” I immediately knew that this was something I *have* to go and see.

We’ve not made it to London (yet – it’s planned for sometime in the future though!) but when a film version was released my curiosity was definitely piqued.

Last weekend my wonderful wife, who has impeccable taste it must be said, chose for us to see the film when we had a chance to escape the kids for a day and grab a couple of hours in the midst of all the house hassles.

All I can say is WHAT A BLAST!

Now I’ll get the potentially offensive stuff out of the way first – although everything in this film is done to maximise the cheese factor and it’s all done in a humorous manner. The film definitely isn’t one for the kids, despite the 12A rating. There is a bit of bad language but there is a lot of suggestive and sexual innuendo in the film. Part of it is set in a “Gentlemans” club and features pole-dancers, there is a scene that involves strongly implied sex and there are other bits. BUT – none of it made me feel uncomfortable and it is all played for laughs.

That aside (and, as I say, it didn’t bother me at all) the film is a great romp from beginning to end. The storyline is a cheesy cliche wrapped up in a fairytale sugary syrup – girl meets boy and all the typical journey that tends to follow in those storylines. Think Grease or Dirty Dancing, set in the 80s scene with blue denim or black leather trousers and black T-shirts. You’re not getting a story that will change your life forever and that will bring about world peace to sound of whale song. You are getting a joy-filled, hugely funny, musically superb couple of hours that entertain and leave you with a huge smile on your face for days to come.

The music in the film, as with the storyline, differs slightly (and also significantly in parts) to the stage show but contains so many classics from that time including everything from Journey to Poison, Def Leppard to Bon Jovi, Pat Benatar to Styx and so many others and some of the mash-ups in the film are pure genius! By the end of the film there wasn’t a foot that wasn’t tapping, a head that wasn’t nodding and there weren’t many people who weren’t singing along.

The casting was probably the biggest surprise. Tom Cruises involvement had me a bit concerned, and the Mrs and I both raised eyebrows when the opening credits rolled and we saw Russell Brands name (not the biggest fans, but his involvement was a no-brainer really), however the whole cast are brilliant totally embracing the ham-it-up nature of the film and throwing themselves into their roles completely. The two stars of the show are newcomers and manage to stand their own ground surrounded by Cruise, Brand, Alec Baldwin, Catherine Zeta-Jones and others. What has been a huge surprise is the discovery that the actors all sing their own parts (they obviously did this seperate to the filming as you can tell they are miming at points, but they did record the vocals they are miming to!) and that includes Tom Cruise who manages to do a great version of “Paradise City” and “Wanted Dead or Alive”.

The film has so many highlights in it that I can’t do it justice to just pick a few. The funniest moment of all though has to be the scene between Brand and Baldwin – I am never going to be able to listen to the song they sing again without thinking of the film (I’ll say no more as I really do not want to spoil it for anyone!)

If you have a decent sense of humour, and don’t get easily offended, and you love the 80s then you really have GOT to see this film. It’s only made me even more desperate to see the stage show, and we’ve already said that we’ll be getting the Blu-Ray when it comes out!

And if you want to enjoy the original versions of the songs used in the film and the stage versions you can subscribe to my Spotify playlist – to which I may well add a few additional Eighties classics that didn’t quite make it into the show but definitely deserve a place there. Saying that, if all the classics were to be included in the film and the stage show you would be there for days!

The Spotify playlist can be found here: http://open.spotify.com/user/geekyone/playlist/0aAPSQsTp3jDpWt3iwYedo

One to watch: The Digital Age

Band: The Digital Age
Website: http://thedigitalagemusic.com
Twitter: Mark / Mike D / Jack / Bwack
YouTube: http://youtube.com/thedigitalagemusic
Facebook: http://facebook.com/thedigitalage

It’s been a while since I’ve done a music review (sorry!) and then two come along in one evening! This is slightly different but I thought that these boys from Waco, Texas, deserve a bit of a Preview and are definitely worth having on your radar, twitter feed and youtube subscription list – not forgetting your list of favourite websites of course.

When the David Crowder*Band ended in January there were plenty of us who mourned the loss of a group who pushed the boundaries in terms of sound, technology, musical complexity (and simplicity) and also managing to fuse classic songs with new material and some real quirkiness thrown in for good measure.

It seemed to be a recipe that no other group could duplicate, and anyone who tried would surely be a pale imitation.

Then along came the announcement of a new band called “The Digital Age” – made up of the *Band part of the David Crowder*Band 😀

Continuing the “rockumentary” series of video blogs they launched the new band, deciding that they were “better together” and over recent months they’ve been working together on a new studio and posting some tasty rehearsal videos that really look good enough to drop the rehearsal tag.

Of the first two to be posted one was the great classic hymn “How Great Thou Art”, and it gave me chills to hear – resonating oh so well with my heart for a mix of the best of church history and modern worship (read my blog here for more.) The sound was that warming familiar sound we’ve come to know and love from such a talented bunch of musicians who have such worship-filled hearts, but it is also different. With the distinctive vocals of David Crowder taken away it has allowed for a surprisingly rich and diverse lyrical performances and the overall sound is recognisable but with enough of a difference to make you second guess yourself.

There are now 4 rehearsal videos out, “All The Poor And Powerless” being the other classic from the first pairing and then “After All (Holy)” and “Oh My God/I Am A Seed” taken from the last DC*B album. They are all worth viewing, over and over again. Repeatedly. Seriously!

With the promise of more videos and some released music coming you definitely want to get on board and join The Digital Age! Trust me, you won’t regret it.

P.S. Enjoy the 4 Rehearsal Videos below 🙂

[youtube]http://youtu.be/0S9_POAQCIQ?hd=1[/youtube][youtube]http://youtu.be/-iG2wUL1vTY?hd=1[/youtube]
[youtube]http://youtu.be/lqgJ9OCy3Kg?hd=1[/youtube][youtube]http://youtu.be/ES70naqpE-A?hd=1[/youtube]

Music Review: “Dubbed and Freq’d” TobyMac (and others)

Title:Dubbed and Freq’d (a remix project)
Artist: TobyMac (and others)
Genre: Rock/Hip-Hop/Dance

iTunes / YouTube / Spotify

Tracklisting:

  1. Made to Love (Telemitry Remix)
  2. No Ordinary Love (G-Man Remix)
  3. Showstopper (Capital Kings Remix)
  4. City on Our Knees (Golden Snax Remix)
  5. Tonight (Capital Kings Remix)
  6. Hold On (Telemitry Remix)
  7. Get Back Up (Broke Remix)
  8. Boomin (UTB Remix) (Featuring Shonlock)
  9. Lose My Soul (Shoc Remix)
  10. Captured (KP Remix)
  11. Ignition (Hot Wired Remix)
  12. Start Somewhere (X-Zach’d Remix)

Review: Taking well-known, and well-loved songs, and submitting them for a remix treatment can be a risky prospect. There are those who cherish the originals and cannot bear to hear any other version than the definitive first one. There are remixes that can miss the meaning and heart of a track, leaving an incoherent mess that doesn’t flow. There are remixes that are nothing more than ramping up the drums’n’bass, adding a techno beat and looping the odd lyric.

Then there are remixes that make you sit bolt upright and re-assess the songs you know so well and hear them in a new way, maybe even picking up on the significance of lyrics that you know but never fully grasped.

For TobyMac fans a remix project is an exciting prospect, especially following the previous remixes of the “Momentum” and some of the “Portable Sounds” albums.

“Dubbed and Freq’d” takes tracks from “Portable Sounds” along with “Tonight” and hands them over to a bunch of folks to work their magic.

Now I must confess to being rather nervous as to what people would do to some of the tracks, especially as “Tonight” is a personal anthem of mine and “City On Our Knees” really stirs my heart… but there was still that excitement – especially as it is a new TobyMac release (although I really am getting desperate for a new full-on album – which I’ve just found out is coming out in August!!!!)

Kicking off with the classic “Made To Love”, mixed by Telemitry, you’re greeted by the familiar tune that’s become a popular concert anthem coupled with some nifty electronica and, yes, some added D’n’B – but that’s not a bad thing. It’s not overdone, and it doesn’t overpower the track. It’s a fresh twist that cleanses and refreshes the palate ahead of the audio feast that lies ahead.

“No Ordinary Love” has been given the Red Bull treatment, with an added dose of steroids. The track is faster, more clubby, and I honestly couldn’t tell you wether I prefer the original or this one. It’s seriously good and the vocal treatment, and added little riffs, elevate this song to a “No Ordinary Love 2.0”

The crowd-bouncer “Showstopper” is given a bit of spit-and-polish, but not as extensive an overhaul as several of the other tracks. It would be great at concerts though, just giving a new and exciting face-lift to really keep the fans on their toes.

The first of the big tests comes in track 4, “City On Our Knees”. It took a little while to grow on me as I’m afraid I fall into the “cherish” category with some songs, and yet this is a genius piece of work. Stripped back in many areas, and giving the vocals a real emphasis, this is ideal for a chillout session and also as a bit of a prayer-time backing. Yes there’s the ever-present D’n’B which won’t be to everyones tastes, but for a different twist on prayer music this really would work well – especially with youth or the young adults.

Without the vocals of Skillets John Cooper, the Capital Kings remix of “Tonight” probably represents my least favourite of the new mixes. It’s not that it’s bad, or even that it’s different to the original – it’s just lacking the added depth that came with the additional vocals from the Skillet frontman. It’s a good track that deserves its place on the collection, but it is the weakest in my opinion. Add in the original vocals, and return the punch that the original had in the chorus, and I really think this would be a masterpiece.

I’m not going to go through each of the remaining tracks individually in detail as the first 5 really do give a good sample of what to expect. So here’s a quick run through of some of them:

“Boomin'” – a chilled out, laid back version that almost contradicts the “Boomin’ out your stereo system” chorus but works in a really surprising way.

“Lose My Soul” kicks off with some sweet piano and is almost a ballad – one to add to a chill playlist!

“Start Somewhere” is full of swoops, sweeps and synths to begin with before kicking into an almost random mix of higher-tempo bits, alvin & the chipmunks lyrics in part and a staccato backing that ties in nicely with the whole “shots we’ve fired” vibe. Can’t help but think there’s a musical elephant in parts of it as well (take a listen and you’ll see what I mean :-D)

Would I recommend this? Oh Yeah! You can’t go wrong with this. Yeah some of the tracks don’t fully work, but your mileage may vary… at the end of the day this is another cracking remix project and deserves a place on your rotation!

Score: 4.5/5